Boston Sculptors Gallery, Boston, MA
2023
The works in constructed nature are an exploration of the natural landscape. A perception of landscape, not as just a natural place in time, but nature effected by time and humankind.
The floor and wall sculptures combine aspects of traditional landscape painting, ceramic sculpture, collage and contemporary color and form. These artworks, composed of a variety of materials (glazed ceramic, painted fabric, resin, wood and concrete) can be seen as a sculptor’s rendering of the natural world at an intersection of the traditional and present.
Boston Sculptors Gallery, Boston, MA
2021
The works in non-pastoral are an exploration of the natural landscape. A perception of landscape, not as just a natural place in time, but nature effected by time.
The floor and wall sculptures combine aspects of traditional landscape painting, porcelain sculpture, collage and contemporary color and form. These artworks, composed of painted fabric, white glazed ceramic and resin on shaped panels, can be seen as a sculptor’s rendering of the natural world.
Boston Sculptors Gallery, Boston, MA
2018
This body of sculpture consists of artworks observing perceptions of our natural environment. I’m interested in exploring the discrepancy between the groomed environment we encounter through media and commerce contrasted to the reality of our delicate and easily fractured physical spaces.
These large floor and wall sculptures incorporate a variety of materials; painted fabric, resin, foam, wood and steel. Each of the artworks is anchored by natural forms (tree, boulder, stump) and is fabricated from white glazed ceramic. The white ceramic appears as a ghostly and fragile construct: an authentic environment. Winter reflects a passage of time, hibernation and dormancy, and even peril.
Moruroa Lemon Drop, 2018, glazed ceramic and mixed media, 52"x41"x6"
Moruroa Lemon Drop, 2018, glazed ceramic and mixed media, 52"x41"x6"
Seveso Spring Bokkie, 2018, glazed ceramic and mixed media, 102"x62"x60"
Seveso Spring Bokkie, 2018, glazed ceramic and mixed media, 102"x62"x60"
Selendang Shandy, 2018, glazed ceramic and mixed media, 48"x42"x11"
Selendang Shandy, 2018, glazed ceramic and mixed media, 48"x42"x11"
Flyash Jagerbomb, 2018, glazed ceramic and mixed media, 71"x57"x17"
Big Branch Woo Woo, 2018, glazed ceramic and mixed media, 84"x54"x30"
Blue Shot Aral, 2018, glazed ceramic and mixed media, 48"x36"x16"
Montecito Porchcrawler, 2018, glazed ceramic and mixed media, 52"x48"x40"
Boston Sculptors Gallery, Boston, MA
2016
This body of work is based on an exploration of traditional Chinese Scholar's Rocks. Chinese Scholar's Rocks are elaborate naturally formed stones and are viewed as reflections of the natural world: contemplative and balanced. My pieces emerge from these aesthetics and infuse characteristics of contemporary environments. With color, text, scale and a myriad of material clashing together, these artworks are the ancient and the current bumping and bursting, mashed into one.
Princess Iron Precipice, wood, paint and nickle plated aluminum 19"x12"x15"
Delicate Cloud Gogo, wood, paint and ceramic 17"x12"x15"
Floating Bridge Hot Shot, wood, paint, ceramic and nickle plated aluminum, 16"x10"x10"
Pinnacle of 3000 Whys, wood, paint and cast concrete, 40"x38"x21"
Peach Stone in Happy Town, wood, ceramic, thread spool holder and photograph, 36"x12"x12"
Floating Bridge Century Sonny, wood, paint and cast concrete, 55"x38"x21"
Boston Sculptors Gallery, Boston, MA
2013
A series of sculptures in which carved and painted wood forms are combined with nickel plated cast bronze or aluminum elements. These new constructions appear to be products of grafting or explosion. The end result is a hybrid sculpture, incorporating glittering polished forms, stencil work with glossy, vibrant wood structures seemingly plucked from woodpiles and anime.
The Blusher, nickle plated bronze and polychromed wood, 13"x14"x8"
Chroma Bypass, nickle plated aluminum and polychromed wood, 9"x7"x7"
Orange Pixie Cup, nickle plated bronze and polychromed wood, 12"x8"x6"
Honey-Blue Caper, nickle plated aluminum and polychromed wood, 10"x7"x9"
Black Knot Knockout, nickle plated bronze and polychromed wood, 12"x9"x8"
Glass Jaw Scholar, nickle plated aluminum and polychromed wood, 13"x12"x9"
Palooka Drops, nickle plated bronze and polychromed wood, 6"x5"x6"
Untitled (Slippery Jack), painted wood
Bulderston (Le Mans), painted wood and plaster, 76"x48"x54"
Boston Sculptors Gallery, Boston, MA
2011
These works explore forms of the living world, from the molecular to the environmental, through the processes of industry and the manufactured. From towering concrete flowers and scorched metal fungi to delicate aluminum branches, these works are a hybrid of the natural and the unnatural.
Black Sanguine, acrylic on panel, 48"x47"x3"
Sporophyll, acrylic on panel with aluminum, 48"x36"x15"
Rex-A-Corrallia, acrylic on panel with aluminum, 48"x36"x4"
Particle Pop, acrylic and oil on panel with aluminum, 68"x74"x4"
Mycetes Morning, acrylic on panel, 53"x46"x3"
Flagella Drops, acrylic on panel, 56"x45"x3"
Boston Sculptors Gallery, Boston, MA
2011
These works explore forms of the living world, from the molecular to the environmental, through the processes of industry and the manufactured. From towering concrete flowers and scorched metal fungi to delicate aluminum branches, these works are a hybrid of the natural and the unnatural.
Arena Bloom, wood and cast concrete, 10'x11'x12'
By the Light of the Moon, bronze and cast concrete, 28"x58"x32"
King of the Forest, cast aluminum, cable and wood, 10'x6'x6'
Spore, bronze and cast concrete, 18"x35"x30"
By the Light of the Moon, bronze and cast concrete, 28"x58"x32"
Spore, bronze and cast concrete, 18"x35"x30"
King of the Forest, cast aluminum, cable and wood, 10'x6'x6'
By the Light of the Moon, bronze and cast concrete, 28"x58"x32"
Boston Sculptors Gallery, Boston, MA
2008
Forts, traps, and castles - re-creations of childhood constructions, rooted in pretend and make-believe, fortified with adult themes of permanence, obsession and value. The result is a hybrid of the care-free and the care-full, structures and objects that reference the child’s world of spontaneous fantasy while standing firmly in the world of “grown-up” contingency.
Red Castle, concrete patio blocks, 7'x11'x12'
Regalia, aluminum, bronze and wood, 66"x30"x8"
Fort, cast aluminum and wood, 12'x13'x12'
Fort, cast aluminum and wood, 12'x13'x12'
Regalia, aluminum, bronze and wood, 66"x30"x8"
Hawkeye's Cave, wood and furniture, 7.6'x6'x5.5'
Fort, cast aluminum and wood, 12'x13'x12'
Hawkeye's Cave, wood and furniture, 7.6'x6'x5.5'
Trap, granite and bronze, 32"x50"x72"
Boston Sculptors Gallery, Boston, MA
2006
An exploration of the everyday. Physically, the pieces carry the history of the process, as marks and appendages from the mold to the foundry often remain. Contextually, the combination of these objects forces a focus on form and create new narratives.
Monkey Cup, bronze and concrete, 13"x10"x10"
Acorns, wood, bronze and concrete, 12"x6"x6"
Coil, bronze and concrete, 15"x8"x8"
Oracle, bronze and concrete, 14"x8"x8"
Militia, bronze and concrete, 18.5"x9"x7"
Walk A Mile, bronze and concrete, 13"x10"x10"
deCordova Sculpture Park & Museum
Lincoln, MA
2007
In conjunction with 11 other other artists, this piece represents one alternate universe in which the model trains travel through.
Municipile, wood and steel, 14'x8'x18'
Municipile, 2007, wood and steel, 14' x 8' x 18'
